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Dengan bantuan dari Rayon (Jared Leto), seorang druggie transexual, dimulailah petualangan Ron yang akhirnya mengubah sejarah. ‘Dallas Buyers Club’ adalah salah satu film yang dibuat dengan begitu sabar oleh para kreatornya. Dengan budget produksi ‘hanya’ $ 5 juta –bandingkan dengan budget film-film Hollywood lain yang serupa– dan You can opt-out at any time. "Dallas Buyers Club" actor Matthew McConaughey has shared how he lost 50 pounds for the role. "I did not torture myself. I was militant. The hardest part was making the damn choice," McConaughey said on an episode of " ," which aired on October 22. 4 HIV/AIDS in the mid-1980s. See full company information. Opening $260,865. 9 theaters. Budget $5,000,000. Release Date (Wide) Nov 1, 2013 ( Nov 22, 2013 ) - May 1, 2014. MPAA R. Running Time 1 hr 57 min. Genres Biography Resumen: Se aborda la segregación como uno de los fenómenos que se producen tras la irrupción de una pandemia. Con la película Dallas Buyers Club, dirigida por Jean-Marc Vallée (2013), se explora el tema a partir de la expansión del VIH en los EEUU de la década de los ’80. 63: The Dallas Buyers Club (DBC) office is in full swing with Rayon in a nurse’s outfit and Ron behind a desk with a gun and a bottle of tequila sitting on it. Rayon ushers in two new members, a middle-aged gay couple, and Ron explains the rules and has them fill out the forms so he knows what drugs they need admonishing that he can’t help Rencontrer L Homme De Sa Vie Sur Internet. "Dallas Buyers Club" To give credit where it's arguably due, "Dallas Buyers Club," directed by Jean-Marc Vallée from a screenplay by Craig Borten and Melisa Wallack, takes a different storytelling tack than might be expected of an aspiring-to-inspire based-on-a-true-story drama. Beginning in the mid-1980s, a period cited by journalists and historians as the height of the AIDS crisis in the United States, "Club" is about Ron Woodroof, a real-life figure. Woodroof was a hard-partying, ever-on-the-make quasi-cowboy who, on finding himself HIV-infected and with a very-soon-to-come death sentence hanging over him, began aggressively exploring alternative meds. He unwittingly became an advocate and activist, even as he kept himself alive for years longer than any medical experts had told him he could. Woodroof was also, this story tells us, a bigoted redneck who bristled with more than just fear of mortality when he got his diagnosis. "Dallas Buyers Club" is not just about Woodroof going up against the FDA and Big Pharma and the other institutions and individuals who kept potentially life-saving drugs from sick people who needed them; it is of course also about Woodroof's Growth As A Human Being, and how this growth allows him to work side by side with a flamboyant transsexual, a person he not only wouldn't have given the time of day to in his prior mode of life, but possibly would have given a beatdown to. But while it highlights performances by both Matthew McConaughey (as Woodroof) and Jared Leto (as the wily, poignant transsexual Rayon) that are models of both emotional and physical commitment (both actors shed alarming amounts of weight to portray the ravages the disease wreaks on their characters), "Dallas Buyers Club" largely goes out of its way to eschew button-pushing and tear-jerking. Shot mostly in a direct, near-documentary style, but edited with a keen feel for the subjectivity of its main characters, "Dallas Buyers Club" takes a more elliptical, near-poetic approach to the lives it portrays than the viewer might expect from this kind of movie. As I mentioned at the start of the review, the approach is admirable in theory. In practice, though, it's sometimes mildly frustrating. The struggles of people suffering from AIDS in America were epic, and involved a Physician's Desk Reference worth of meds, and a near-army of regulations and regulatory agencies; that's a lot of data for one two-hour drama, and McConaughey's character has to act as both an audience surrogate and a hero, but he's also a man struggling with potent demons. Vallée's energetic direction keeps the narrative moving, and there's a real rush when Woodroof's hustling pays off with the creation of the movie's title entity, a sort of medical co-op that gets non-approved meds into the hands of the sick people the health care system can't or won't help. The moment-to-moment approach gets choppy sometimes, as when Woodroof is suddenly portrayed in a slick international-drug-smuggler mode; one gets the impression of being in a different movie. Vallée also misjudges, I think, the scenes in which to lay on the portent, as the scene in which Woodroof muddles through his past to figure out how he got infected, and flashes back to a rather overly boogity-boogity scene in which Woodroof has aggressively unprotected sex with two women, one of whom is a junkie. On the other end of a particular spectrum, the movie's potential nod to sentiment, in the form of a potential romance between Woodroof and one of the few helpful/compassionate physicians he encounters (Jennifer Garner, who does good, understated work), seems a little understand these sound like quibbles, but I'm trying to come to terms with why "Dallas Buyers Club" is a somewhat more dry experience than I suspect it wants to be. The movie certainly does crackle courtesy of McConaughey. Even as his character is physically wasting away, the actor is unfailing in his portrayal of Woodroof's never-say-die indomitability, and is also unimpeachable in conveying the dangerous sleazoid charm that's a carryover from Woodroof's former footloose existence. While Jared Leto's Rayon is often used as Woodroof's foil, Leto's attentive, detail-oriented portrayal of the fragile but supremely street-smart Buyers Club partner gives the character a distinct autonomy. The cast is packed with great actors (Steve Zahn, Dallas Roberts, Griffin Dunne and Denis O'Hare among then) buckling down, and that's key to the movie's pleasures. If "Dallas Buyers Club" falls somewhat short in the categories of historical chronicle, emotional wallop, and information delivery, its conscientious attempts to portray a group of people in trouble in a troubled time delivers mini-epiphanies in a series of small doses. And that isn't nothing. Glenn Kenny Glenn Kenny was the chief film critic of Premiere magazine for almost half of its existence. He has written for a host of other publications and resides in Brooklyn. Read his answers to our Movie Love Questionnaire here. Now playing Film Credits Dallas Buyers Club (2013) Rated R 117 minutes Latest blog posts 41 minutes ago about 1 hour ago about 2 hours ago about 19 hours ago Comments Want to behold the glory that is 'Dallas Buyers Club' on your TV or mobile device at home? Finding a streaming service to buy, rent, download, or watch the Jean-Marc Vallée-directed movie via subscription can be a huge pain, so we here at Moviefone want to take the pressure off. Read on for a listing of streaming and cable services - including rental, purchase, and subscription choices - along with the availability of 'Dallas Buyers Club' on each platform when they are available. Now, before we get into the various whats and wheres of how you can watch 'Dallas Buyers Club' right now, here are some details about the Universal Pictures, Voltage Pictures, Evolution Independent, Truth Entertainment, CE, R² Films, Rainmaker Films history flick. Released November 22nd, 2013, 'Dallas Buyers Club' stars Matthew McConaughey, Jennifer Garner, Jared Leto, Denis O'Hare The R movie has a runtime of about 1 hr 57 min, and received a user score of 79 (out of 100) on TMDb, which collated reviews from 7,401 experienced users. Want to know what the movie's about? Here's the plot: "Loosely based on the true-life tale of Ron Woodroof, a drug-taking, women-loving, homophobic man who in 1986 was diagnosed with HIV/AIDS and given thirty days to live." 'Dallas Buyers Club' is currently available to rent, purchase, or stream via subscription on Apple iTunes, DIRECTV, Microsoft Store, Redbox, Google Play Movies, Amazon Video, AMC on Demand, Vudu, Spectrum On Demand, YouTube, and FlixFling . Jean-Marc Vallee was nearly ready to give up filmmaking before a 2005 project turned the tides on his career, a colleague recalled days after the Quebecois director and producer died. Vallee, who went on to direct a string of high-profile films and series after his breakout “ - winning an Emmy for the hit HBO series “Big Little Lies” and multiple nominations for the 2013 drama “Dallas Buyers Club” - died suddenly in his cabin outside Quebec City over the weekend, his representative Bumble Ward said Sunday. He was 58. Canadian producer Pierre Even, who worked with Vallee on a pair of projects including “ said the “difficult shoot” of the 2005 film had the filmmaker wondering if he'd ever make another movie. “We didn't have enough money, we were struggling to do everything we needed to do and Jean-Marc was saying: 'Pierre, you don't understand, this is going to be my last film,” Even said Monday in a phone interview from Montreal. “And I was telling him: 'I don't know if ' is going to be good or not … but I'm sure of one thing - you're going to make other films.” Vallee wrote, directed and co-produced the coming-of-age Quebec drama about a young gay man dealing with homophobia in the 1960s and '70s. The movie, which earned $6 million in box office revenue in Quebec alone, was Vallee's first feature film to be both written and directed by him. Even said Vallee, who had dreamt of creating the project for years, put “tremendous” pressure on himself to make it work. When they saw the reception of the film's premiere in Montreal, Even said they knew they had made “something special.” “It was always a film about somebody that feels different and wants to fit in, and that's a universal theme. But we were surprised how much the audience took the film and (it) became their story,” Even said. “During the premiere … we had people coming out of the theatre in tears saying 'that's my life.”' Even said Vallee was already a successful director in Canadian film circles, but “ made him a global name as it screened at other festivals. He said agents and production companies in Los Angeles were soon calling Vallee, wanting to meet him and discuss potential projects. “I think it made people realize not only was he a good director but he could tell a story that people would want to see and that would catch audiences all over the world,” Even said. Vallee, acclaimed for his naturalistic approach to filmmaking, directed stars including Reese Witherspoon, Nicole Kidman, Amy Adams and Jake Gyllenhaal over the past decade. He directed Emily Blunt in 2009's “The Young Victoria” and became an even more sought-after name in Hollywood after “Dallas Buyers Club,” featuring Matthew McConaughey and Jared Leto, earned six Academy Awards nominations, including best picture. Producing partner Nathan Ross said in a statement that Vallee “stood for creativity, authenticity and trying things differently.” “He was a true artist and a generous, loving guy. Everyone who worked with him couldn't help but see the talent and vision he possessed,” the statement said. “He was a friend, creative partner and an older brother to me. “The maestro will sorely be missed but it comforts knowing his beautiful style and impactful work he shared with the world will live on.” Vallee was born in Montreal and studied filmmaking at the College Ahuntsic and the Universite du Quebec a Montreal. He received the Directors Guild of America Award and the Primetime Emmy Award for Outstanding Directing in 2017 for the HBO Limited Series “Big Little Lies,” which he also executive produced. The series won eight Emmys and four Golden Globes in total. He also directed and executive produced the HBO limited series “Sharp Objects” which was nominated for eight Emmys. HBO called Vallee a “brilliant, fiercely dedicated filmmaker,” in a statement. “A truly phenomenal talent who infused every scene with a deeply visceral, emotional truth,” the statement said. “He was also a hugely caring man who invested his whole self alongside every actor he directed.” Even said Vallee demanded much from those who worked with him, but he was also very loyal, often bringing in Quebecois crews to work on other projects. He also edited many of his projects back home in Montreal, building a state-of-the-art editing suite in his home. “He was so passionate,” Even said, adding that Vallee's crews needed to work hard to achieve his vision. “But even if he's asking for the moon, let's get him the moon because we know it's going to be great.” Gavin Fernandes, a sound mixer in Montreal who worked with Vallee on a number of projects including “Dallas Buyers Club” and “Big Little Lies,” said the filmmaker was “on another level of film-making.” Fernandes admired Vallee's ear for music, which often led to him spending large amounts of his budget on securing music rights for his films rather than rely on original scores. Vallee was “hands on” in his editing approach, Fernandes recalled, and while the crew didn't always agree with some of his decisions in the moment, they always seemed to work out in the end. “There were times we'd literally sit back and say 'are we sure about this?' and he'd say 'trust me,”' Fernandes said. “And the show came out and the reviews came in, and inevitably, the thing we doubted turned out to be a really cool thing.” Celebrities took to social media to honour Vallee on Monday. Canadian actor Jay Baruchel said on Twitter that Vallee was “a profoundly gifted artist whose passions and efforts have advanced the medium of cinema.” Witherspoon posted a photo of herself and Vallee on Instagram with the caption: “My heart is broken. My friend. I love you.” Leto also shared a photo of him and Vallee on the app, crediting him with changing his life “with a beautiful movie called Dallas Buyers Club.” Vallee is survived by his sons, Alex and Emile, and siblings Marie-Josee Vallee, Stephane Tousignant and Gerald Vallee. Even said Vallee's impact on Canadian cinema will continue to be felt for years. “Jean-Marc had such a personal way of filming that it's not something you can copy,” he said. “There's only one Jean-Marc Vallee and when you watch 'Big Little Lies' or 'Sharp Objects' or ' or 'Cafe de Flore' or 'Wild,' you're going to see it's a Jean-Marc Vallee movie. “And that quality of filmmaking … it's so rare and so precious.” - With files from The Associated Press This report by The Canadian Press was first published Dec. 27, 2021. Dallas Buyers Club

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